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Musical thoughts on unresolved questions and recent findings in big drum research.


I traveled to Carriacou, Grenada, immediately after reading Paule Marshall's novel, Praisesong for the Widow (1983) The novel introduced me to an island I had at no time heard of and to a society mysteriously unified in memorializing its past. After a first trip, I came to solidify my graduate seminary project of comparing stylistic musical marks and eras of the various musics (1) upon Carriacou. But when I realized the deepness and historicity flowing from the Big tympanum (with about 150 extant French Patois songs) I was enticed to research and collect the songs.

Carriacou is a simple, small island


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