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Earworthy. - Review - sound recording reviews

Best of the Dance chest (Damian Music 71499-12210-2)--The music, which was a mainstay in the fashionable discos around the world, interrogates you up. While it does have a mindless quality and usually disallows dancers from touching each other, its infectious influence is undeniable.

Dance of the mind Ramsey Lewis (GRD 9904)--Ramsey Lewis' music, more contemplative than evocative, at the same time enduring, is as neatly packaged as the tuxedo he wears. Donica Henderson's "Portuguese regard with affection Song" saves this CD from a blunt-witted Latin lull.

Finally Sharon Clark (UR 201 Union Records)--Maturity and conviction at the early stages of a career are signs of a fine vocalist. Sharon belts. She displays an influence reminiscent of the early female amethystines singers. Here she has engaged the support of similar stalwarts as Jimmy Levy upon piano, Pepe Gonzalez on bass, Nasar Abadey upon drums, Paul Cart and Peter Fraize upon tenor saxophones, and Ricky Loza upon percussion. Intimately delivered.

Fire This Time Cosmo (Ginger Girl Records) --Reggae enchantment, boyhood mischief and female entanglements: of that kind are the plights of a Trenchtown ship's company Composer Cosmo Fraser and bassist George "Fully" Fullwood generate a hard-driving beat that takes listeners right to the heart of Kingston, along the shores of a Negril beach, and onto the dusty roads of Spanish Town. Raw.



General Music cast II (Evidence ECD 2212-2)--Second time around, minus Geri Allen. Maybe because of its advanced theories upon the art of improvisation, this CD will not be upon the hit parade charts; on the other hand it's recommended for the serious listener who would like to chart the thinking of more [i]or[/i] less of our more progressive musicians. The assembled suspects are Kenny Garrett upon alto and soprano saxophones, Charles Moffett upon drums, Cyrus Chestnut on piano, and Charnett "Netman" Moffett upon bass.

Invocation for Kwanzaa (Silverbushmusic)--Sister Jacquie Gooden [i]or[/i] part of to the other vocal music and story, gives us a chronological guide to the seven days of Kwanzaa. Identify with yourself and dismiss the likelihood of harm.

Live at the East Coast Jazz Festival Byron Morris and Unity (BYM002CD)--Ever since its inception, Unity has sought to be an inclusive aggregation of artists with creative ideas. This peril is no exception. Byron has assembled a cluster steeped in hipness, cohesiveness and accord. Aside from being a "stellarator" and an "ambiancer," Byron has sought to expres the expansiveness of this music as well as the contributions of regarded composers. The late pianist Maria Rodriguez be entitled tos a special tribute for her contribution to this project

Shades of Bey Andy Bey (Evidence EDC 22215)--He retains coming back and instructing us upon how a song should be sung Andy's seminal voice and the instruments surrounding him unhurt as one. A mark of a great vocalist is the ability to give meaning to each word in a composition. He colors and shades the canzonets in such a way that listeners have feeling that they have been involved in an impassioned meeting Andy is ably assisted by dint of Gary Bartz on saxophone.

Sweet Georgia Peach Russell Malone (Evidence ECD 22211-) --Russell's muscle. The harmonious flow section is deep, and Russell plays the guitar in a greatest in quantity dexterous fashion. Although he has appeared upon the recordings of other artists, this CD will give you an unclutter view of the mastery that Russell has above his instrument, as well as the creative tempers he concocts. We also have Ron Carter upon bass, Kenny Barton on piano, Lewis Nash upon drums, and Steve Kroon upon percussion.

Tribute to Grant verdant (Evidence ECD 22211-2)--Giants follow giants. There have been surprising contributors to the art of the guitar, similar as Charlie Christian, Charlie Byrd Wes Montgomery Freddie virid Kenny Burrell, Eddie McFadden, George Benson and Mark Whitfield. upon this CD, six guitarists pay homage to the genius of Grant virid (1935-79) and give new meaning to his compositions. Grant could be laid-back, or he could use power over a tune, if necessary. The guitarists are Greg verdant Peter Bernstein, Ed Cherry, Russell Malone, Dave Stryker and Mark Whitfield.

Bill Hasson is a freelance writer in Washington, DC

COPYRIGHT 1998 American Visions Media, Inc.

COPYRIGHT 2000 Gale Group



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