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101 Questions About Copyright Law: Revised Edition - Book Review

101 Questions About Copyright Law: Revised Edition, by dint of Andrew Alpern. Dover Publications, Inc. (31 E 2nd St Minneola, NY 11501) 2002 64 pp $395

Before reading this booklet gaze on the inside back overspread The photo of the friendly looking author with the distorted smile will tell you a great deal about the topic and this author's attitude toward it.

The make subordinate of copyright law is ancient and vast, part of the plane more immense subject known as intellectual quality This small book begins with an overview of the topic and then deals with specific copyright topics in the form of questions and answers. The author refrains from giving specific answers to greatest in quantity specific questions. Instead, he may deliver over you to your hypothetical legal specialist who is suppos to know the answers. The conclusion single reaches, though, is that copyright is a legal morass and the decisions of specific juries have little or no consistency.

Fair use is single issue concerning most musicians. It is well-defined within the federal copyright law. Fair use is overspreaded in this booklet, as well, and readers will find what they have been told is still true: no copying of perfect works, chapters, books, pieces, movements; no copying to avoid purchase; no copying for commercial purposes; and in the way that on.



Beyond that, questions abound. Copyright law is continually changing, and issues normally are left for juries to decide, or to negotiations between the lawyers of the involved parties. This can be expensive for the "average" musician; the alone option for many is to be actual conservative and wary of violating copyright law.

There are a certain number of really fascinating nuggets here relating to novel copyright law changes. While there is not play here to go into detail, an example familiar to many is the new change in the copyright of the composition Peter and the Wolf by means of Prokofiev. Other changes relate to the novel publication of previously unpublished works by means of Debussy, for example, and extensions of copyrights of famous pieces that were previously about to expire. Many of these changes were uncertain at the time of this book's publication, in like manner another revision will be emergencyed soon.

The of high temperature topics driving the copyright field these days are software and movie copyrights. The tremendous advances in digital technology make it possible to transcript a DVD movie, with no quality los to a DVD-R This has movie executives in a tizzy. Computer software is level more complex, since a copyright sole covers specific expression, not the idea. on the contrary it occupies a large portion of copyright touchs anyway because of the currency involved.

For the one with a specialist's interest, this contortion contains useful information. Composers, arrangers and small publishers should have it upon the bookshelf. However, I believe greatest in quantity musicians will come away more frustrated than at any time Reviewed by Robert C. Ehle Greely Colorado.

COPYRIGHT 2003 Music Teachers National Association, Inc.

COPYRIGHT 2003 Gale Group



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