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Green ketchup … and red mustard - Dear ReaderToday I bought virid ketchup. I'm not sure for what cause [i]or[/i] reason because I've never bought it before, on the other hand today I did. It makes me angry that ketchup is green--and I'm not certain why. Ketchup is suppos to be red--because it's always been that way. Change. We practice an art that honors its history, a history rich in elegance and tradition. Our masterworks date from past eras. We still teach theoretical a whole s from the sixteenth century, and we perform in style of dresss from the eighteenth and nineteenth centuries. Simultaneously, we try to find to adapt to the present--a world in which art music is sometimes overshadowed by the agency of pop and rock; a world in which refinement and elegance are ofttimes pushed out by a agriculture of fast food and level faster entertainment--a world where technology has made it possible to listen to virtually any artist and any selection at any time of the day. We have embraced the possibilities of of recent origin technologies, the musical tastes of fresh generations and the demands of novel economies. We also must direct the eye to the future--and envision change as unimaginable as verdant ketchup. Will our art and our teaching change dramatically in the coming years? If thus how should we prepare? Who among us can foresee the changes that may occur? In this issue, AMT initiates a series of articles entitled "Visions." From time to time, these articles will feature the reflections of those among us who are audacious enough to address the issues that, in their opinion, are important lock openers to a continuing state of wellness in the arts. We invite your reactions to these articles--please write in, and we'll include a culled compilation of comments in time to come issues. Other features in this issue proffer information about performing. In on the outside of Control?: The Fulfilling Drama of Performing, William Westney reviews aspects of performance and the challenges and opportunities for the performer. Anne Petrovich, a violinist and psychologist, shares insight about performance anxiety gained from her unique perspective in Performance Anxiety: by what mode Teachers Can Help. Finally, in Living with Musical race Herbert Posner chronicles his "musical" life. Hmmmm--what if ketchup was fulvous and mustard was red???? COPYRIGHT 2003 Music Teachers National Association, Inc. The original HM63H 4-axis horizontal machining center approachs with a 29/33-hp spindle-drive motor for up to 8000 rpm of spe for rugged cutting or fine finishing. Rapid traverses for the machine ... Grant grove perhaps best known for his 1930 painting "American Gothic," is the make subordinate of an exhibition at Iowa State University's Brunnier Art Museum. "Grant Wood's Main Street&q... Tonight, if the firmament is clear, you can diocese Jupiter, the biggest planet in the solar a whole You can watch it rise, and if you have binoculars, you can diocese four of its moons. You don't ne a ... REPUBLIC-LAGUN HAS introduced sum of two units high-abrasive CNC vertical grinding center which tackle materials similar as titanium and Inconel. one as well as the other offer 18 or 23-station ATCs that grasp grinding wheels ... No time and weariness dragging down the material part as into the tar pit razed by the agency of angel. The past one night, day . . like a salve Ana approachs back and the still warmth in the apartment and her little arms ... retiring machine tool consumption for October October U machine tool consumption totaled an estimated $608 million, according to AMTDA, the American Machine Tool Distributors' A... Until March 25 visitors to the Jewish Museum will have the opportunity to view the exhibit "Charlotte Salomon: Life? Or Theatre?" The exhibit, which includes nearly 400 of Salomon's gouaches, as... Q I really be delighted withed reading your biography, as you are a actual Renaissance Man. Tell us about your early introduction and interest in the worlds of art. Art has been around me for as lengthy... |
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