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Pure Curry: Unique Jazz Settings of Favorite Hymns. - book review

through Craig Curry. Hal Leonard (7777 W Bluemound Rd Milwaukee, WI 53213-3400) 2002 71 pp $1895 Early advanced.

In stainless Curry, Craig Curry has chosen ten sacred strains and arranged them in a variety of jazz mode of expressions Appropriate for the early advanced pianist, these arrangements would make superior music for worship services render free of access to jazz or for recitals.

The arrangements are largely notated, so they have the possibility of opening the world of jazz to classical pianists. a certain number of arrangements include jazz solos, and since they are notated, they allow the classical pianist to investigation their construction. This will perhaps motivate novice jazz players to attempt their have improvised solos. Chord symbols also are included, allowing further harmony application of mind The chord symbols also allow for the possibility of the pianist to play with a harmonious flow section. Additionally, many arrangements would work well with a digital piano with the capability of adding harmonious flow backgrounds such as rock, samba and bossa nova.

Of the slower selections in the collection, Curry's ballad arrangement of Near to the Heart of the godhead is my favorite. The lush harmonies are arranged in a pianistic way with judicious use of turned chords. Also included in the collection are a samba arrangement of the devotional song tune Love Divine, All delight ins Excelling and an arrangement of the worship chorus Thou Art Worthy in bossa nova mode of speech Curry admits that the divine revelation rock arrangement of Rock of Ages is a play upon words, but the arrangement, allowing not easy, works well. Perhaps the greatest in quantity creative arrangement in the collection is the Afro-Cuban merry Joyful. We Adore Thee.



While this collection will not be useful to all scholars it can be appreciated by dint of early advanced students wanting to learn more about jazz or for those pianists who use this diction of music in their performance, whether in recital or in worship services. I especially relish the opportunity for my pupils to play with a periodical emphasis section, and this collection provides a great chance for that to happen.

Steve Betts, Bethany, Oklahoma.

COPYRIGHT 2003 Music Teachers National Association, Inc.

COPYRIGHT 2003 Gale Group



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