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24 Piano Transcriptions of Classical Masterpieces. - book review

transcribed by means of Robert Schultz. Warner Bros. Publications (15800 N W 48th Ave., Miami, FL 33014) 2001 124pp $1795 Advanced.

The beautiful unbrokens of strings encountered in Schubert's Ave Maria, the warm and familiar strains of Pachelbel's Canon in D the glorious melodic lines of Puccini's O Mio Babbino Caro: The warmth and passion of these pieces and others have been captured and arranged for solo piano by the agency of Robert Schultz. Containing works by dint of composers from Bach to Faurd to Rachmaninoff to Mascagni, 24 Piano Transcriptions of Classical Masterpieces includes classics from genre including orchestra, opera, voice and chamber works. The pieces Schultz has included certainly would be appropriate for settings ranging from weddings to the plan stage.

Schultz has showcased momentous musical transactions of pieces such as The Swan by means of Saint-Saens and Un Bel Di from Puccini's Madama Butterfly The lyrical lines are inspiring, the harmonies are stirring, the instrumentation is flawless and Schultz has carefully maintained the original central nature of each work as he skillfully transformed these masterpieces into piano solo Speaking of this particular collection, Shultz says in the Author's Note, "This edition includes single the transcriptions written for advanced pianists and plot artists."



Effective performance of more [i]or[/i] less of these selections requires a bit of keyboard gymnastics to consummate passages of pieces such as Saint-Saens's Mon Coeur S'Ouvre A Ta Voix (My Heart At Thy Sweet Voice), from Samson and Delilah, and Caccini's Ave Maria. These advanced pieces require the performer to be musically mature and sensitive to the manner of writing of each work. Knowledge of the original instrumentation is important for a like reason that the appropriate voicing events are portrayed in performance.

Although I place myself wondering about the fortunate transformation of some of the vocal works in this collection, of the like kind as Casta Diva by Bellini, I was pleasantly surprised at in what way satisfyingly pianistic these sections actually were. on reading through these pieces, I lay the foundation of myself enveloped in the astonishing sounds being produced. After overcoming my initial apprehension of this collection of transcriptions, I am convinced that it would indeed be a fine addition to the advanced pianist's repertoire and library. Reviewed by dint of Melody Hanberry, Baton Rouge, Louisiana.

COPYRIGHT 2002 Music Teachers National Association, Inc.

COPYRIGHT 2003 Gale Group



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