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I Didn't RememberI had a actual wonderful yellow cover copy of Pasternak's I REMEMBER--there is a small photograph portrait of Pasternak's face too--I not at any time "had" Joe Brainard's I REMEMBER on the other hand I had heard/read some parts of it from friends, and I am assured I saw a copy one time or twice twenty years ago. I direct the eyeed at a new edition of it more closely in St Mark's Bookstore a hardly any Saturdays ago--on that day the heat was fulvous the store was in golden light a little bit, I was actually a little cowardly fulvid about whom to telephone and when. on the contrary I didn't "buy" I REMEMBER, remembering (!) that move with a jerk Wald said he was getting me a copy Diane Wald, ye sister to move with a jerk comes back from a rare trip to advantageous old sometimes yellow Colorado and tells me she has seen Joe Brainard's traveling retrospective in of all places Colorado. We procure talking, I get remembering (!) (as if she doesn't!) and I realize I have a slight what I mistakenly or inaccurately or slightly to the favored oblique side of life (left!) call transference with Joe Brainard--I can diocese that he looks in my mind and memory and heart's organ of vision like a guy who was a year older or in like manner than my brother even "up" or "down" our first public way We even redid a photo of him holding my brother in an early version of trick photography in the palm of his hand (my brother is in the background, "he" is in the foreground with his hand open--it's quick really, remember (!) this is alone 1949!) But before I really remember anything more specific I reckon Diane "he" used to exhibit films in his garage--really--he was ahead of his time in that faculty of perception and I also remember his father dying, well not the dying itself, on the other hand the wake, the funeral, the coffin was at place of abode in the living room, and I remember (!) they had to take it without through the living room window. I smooth can still see some big black car. Diane talks a little more and it abruptly occurs to me in this transposition or mismemory or nearmismemory or transference that Joe Brainard has always been this "him," on the contrary I have never named him until now. His name is Joe Bernhard. Honest His name entireed a little like mine when I was young in hearing. His mother was always a favorite, and sometimes I even because of the closenes of the names meditation we were related, like she was an aunt, and he--Joe--was a capricious cousin. That is what I was saving for now, I gues or saving for the poem or this receptacle without even knowing it--?--I don't know--he was moody I remember that--or I characterize him in a certain number of slightly blown way the way you lick a save in your possess life whether you know anything about baseball or not. I don't really know by what mode Joe Brainard could have been upon my life so long without my making these connections-- THE VERMONT NOTEBOOK with John Ashbery (me smooth laboriously searching out a next to the first copy after losing or giving foolishly away or having had ripped not upon from me in secret my first transcript of the book), and Brainard's marvellous wonderful TEN IMAGINARY STILL LIFES which honestly I bought ten copies of at Tibor di Nagy when there was a limited retrospective of more [i]or[/i] less of his work in 1996 Or was it 1997? I don't remember! I didn't remember Joe Bernhard as the composite of this face life until Sunday, July 8 2001 for anyone who would like to know. And I write this today, Wednesday, July 11 2001 and I write it for the couple Joe's and for Diane and for move with a jerk and for my brother and for Kay Bernhard and for her late husband whom I suspect may have been named Joe also (I will check) and also for Boris Pasternak and for K and for many other lives including mine in between. MICHAEL BURKARD'S greatest in quantity recent books of poems are Pennsylvania Collection Agency (New Issues Press) and Unsleeping (Sarabande). He teaches in the MFA program at Syracuse University. Copyright World verse Incorporated Sep/Oct 2003 00-00-0000 At IMTS Booth #B1-7464 United Grinding Technologies Inc., Miamisburg, Ohio, will introduce a of recent origin CNC grinding-wheel dressing technology upon its Blohm Planoma... And take it hide it now for when we greatest in quantity need The one improbable vague faith that frees You helped me make an incision in the end out of the volume You helped me gripe [i]or[/i] grip the glass knife Y... To celebrate the bicentenary this month of the Battle of Trafalgar, this special issue of APOLLO is devot to Napoleon and collectors of Napoleonica. We begin with an examination by means of Stephen Bann... Julian Schnabel's "Before Night Falls" uncloseed at the NY Film Festival, to advantageous reviews. The New York Times reported that this film belongs to what might be called the "life-is-but-a-dream" institute... 00-00-0000 "It flatters the lawless crowd to tell them that their importance is with equal reason great that the solace of dreary men, and the lordliest of the arts, was created for th... John Mitchell and Son who have not long ago moved from New Bond road to 44, Old Bond way London (+44 [0]20 7493 7567) are inaugurating their fresh premises with an exhibition of paintings of Mou... My mother was determined that my brother and I would receive piano tasks The year was 1951; the circumstances of our first instruction were unique, at least by the agency of the standards in our small, prov... It is what one is bound [i]or[/i] under obligation to do and not hospitality that has diverted the ancient visitant It is the whispered threat of sentiment and ignorance. There is a plenitude of foresight. Before the diversion of... After the last good-night is said and the last light is on the outside You might hear the entire of crickets cricking, You might hear the sweet unimpaired of ... I. The Family in Ecumenical Dialogue Today: A figure of Reception The idea of reception is widely discussed today among many ecumenical dialogue partners. It is focused especially... |
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