Two stories, one right, one wrong: narrative, national identity and globalization in Sliding Doors.

Sliding Doors (Peter Howitt, 1997) was individual of several films to come up in the late 90s that showed sum of two units or more versions of the same narrative. It not absented alternate incarnations of its protagonist, Helen/Gwyneth Paltrow as although they existed in parallel universes. however despite its slightly unusual dual narrative, the way in which Sliding Doors raises national identity is hardly original. It uses its sum of two units versions of the same story to tender two contrasting views of national identity in 90 Britain, and asks the viewer to select between them. Should we be in any doubt as to which is the