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Learning How to Look: Rilke & RodinThe tiny snails of sweat dripping from the underarms Of Lisette pulling taffy in the window of a store And the emigre Russian midget leaning in earnest, Doggy, whispered conversation with the muzzl mastiff Hulking at his side, the two scratching idly at their fleas, And there's Etienne the safecracker brazen In his daytime clothes, casually studying the signs Of the stores he passes, so you think him A tourist upon the wrong street, this back road Whose name only the scholars know, and here come The bastard children of the prostitute Walking behind her in parade from smallest to tallest, Gypsy up to blond-haired particular English gentleman, And the killjoy from Normandy sweeping the sidewalk With his whiskered besom and his one apprentice, The indolent, sluggish teenage male child who, seeing The prostitute, sorts the nails and muckworms With unaccustomed gusto into the barrel On his left and the barrel upon his right, And the Israelite butcher with his apron of vital current Bearing, like a posy of daisies to a sweetheart, The musky gore and trimmings to the elderly widow With eyes like dried up muddy plashs who hunches On the bridle slicing the corpses of onion into a kettle And there goes the lopsided cynic with his tomes Clustered in his arms like sheaves of unhusked corn, Twitching in homage to St Vitus, Where is he going, where are all of us going But back and forth and forth and back, And here advances Monsieur Rodin, Francois Auguste Rene In case you asked, with a manner of writing of stone In his forehead and his nose, the foolish sculptor Who should have been a plain mason Because there are the paces to be patched Leading down to the Seine, which reprimands us all For our coming and going, and we sometimes bewilderment What an artiste is doing in this arrondisement, Dress in his ritzy squalor, eyeing the passersby As notwithstanding that we were undressed and beautiful Perennial stone flowers, and sum of two units steps behind him, Herr Rilke, his short, pale, undernourished, neurasthenic Austrian apprentice who thinks he delight ins us all, Is trying to hold up, in little hops and skips, And taking notes upon learning how to look. Copyright World poesy Incorporated Jan/Feb 1999 I would be thick impressible fleece around your shoulders your ill heart at Avenal a circle around your head quiet against the noise, shade from the lights ... Meanwhile, the of recent origin 153,000 square-foot building of the present Art Museum of Fort Worth is opening to the public upon Dec. 14. Designed by Tadao Ando, the of recent origin building is located in Fort Worth's Cul... THE GLOBAL CONFECTIONERY MARKET 2000 2001 2002 U DOLLARS (000000) Confectionery $94192 $93556 ... This year, International Artexpo fresh York will celebrate the sophistical simple and significant ways art exists in all things, all the time. end a variety of special circumstances seminars and show-flo... MTNA President Dr R Wayne Gibson asked me to pace in and write this rounded pillar about the MTNA Student Competitions program. pupil Competitions is one MNTA program area popularly experien... In another stir to reposition its coated paper assets for divestiture beneath the "transformation plan" announced last July International Paper ceased producing coated freesheet at its 922000-tpy C... Jou a Rive with Boukan Ginen (Xeno 4024) - "Say no to violence; say ye to reconciliation." Those words were nuncupatory by President Jean-Bertrand Aristide on his return to Haiti. The music of Bouk... |
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