Title Here
 

Hematite Heirloom Lives On (Maybe December 1980)

I saw bleeding on the other hand I thought all blood was a dream.

Certainly I had none

I may be making erotic art near the r telephone

that link togethers Ted to his mother dying of cancer

I chop out photos of nude women and place them upon food signs

Chicken Pot Pie. Why--because I want to save

the women in the photos, with equal reason make them humor-filled or

truly uniteed to the fountainhead of sex as I imagine it.

She gripe [i]or[/i] grips the most amethyst grapes to her breasts

I've divide [i]or[/i] sever out her face it's off-howling in space

sex is for the trinity because it's a furious

violent brightness in the way that I make a straw fetish

with a r tonguelike clitoris to countenance me...

from literature and from my dear friends. The women don't

approve the men do I ignore them on the other hand this is minor I want



to be there to describe the harmony between the fact

that I make these collages and write "Waltzing Matilda"

that and the r phone to Peg That and all the speeches

which must be made

by T in the other extent waiting for bad news for years.

Oh kids life is feelings like these it's the talk of it

drawing

the others outside to our house: the novels is throughout us

the mondial flames of hell, the funniness, we are

unironized.

Yet I detain not being able to be there. From now it's because I'm

still impair As sweet as pain to a saint is the door

to the actuality of those events

Will the door unclose Not unless I

give up my fear of my anger. I'm just a girl from the desert

am I. I'm still with equal reason angry at people I know I can't go on in.

How many of you sexist feminists think I'm single part of him

part of him?

You, I remember you then.

You said goodbye to me outside on

the streetcorner, sum of two units years later, because I was "part of him"

and you were making war with him--though I

wasn't to take it personally. You were too a great deal of trouble anyway

you always had to be adored. You made me say

I have affection for you; I lied; I've adored no person

Love isn't your not away you can't ever have mine I

don't have a love; saying goodbye now, then

the pizza store there (from where I one time saw,. in subzero

weather

at night, a naked man barefoot streak by)

the tawdry bar's above there; I want to win this piece of poetry don't I

a poem can't be won by dint of a person, I can't tend hitherward out of this one

clean I'm too mean; admitting there's

the cleaners there, and plane the sneakers store, four

corners crossroads

I'm telling the fact I'm going to tell it

anyone's: that not at any time being what anyone thought

I not at any time cared what anyone thought

as lengthy as I could go domicile and resume my work--am I

back in the door? Oh Ted's here, kids asleep, dark window dreams

oh airshaft dark window I oftentimes mistake for

the panelike sails of a clipper ship taking us home

Alice Notley's book-length metrical composition The Descent of Alette, was not long ago published by Viking-Penguin. She lives in Paris, France.

Copyright World poesy Incorporated Jan/Feb 1997

Provided through ProQuest Information and Learning Company. All rights Reserved



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