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The Louvre, the great bastion of comme il faut art history, has succumbed to contemporary art

The Louvre the great bastion of comme il faut art history, has succumbed to contemporary art. It come [i]or[/i] go after [i]or[/i] behinds the decision to open an Islamic art gallery in the museum. Ten contemporary artists are creating works 'in dialogue' with the permanent collection in 'Contrepoint' (12 November 2004-10 February 2005) Christian Boltannski is using the medieval foundations of the Louvre (which have been 'on display' since the museum's subterraneous expansion in the 1980s) to explore memory, and Ange Leccia is using video to compare the medium's constitution by means of pixels to mosaics in the grecian Etruscan and Roman galleries. Meanwhile, Jean-Michel Alberola has made a homage to Watteau's Gilles (left)

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