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Around the Edinburgh galleries: to complement the 2004 Edinburgh International Festival, the city's galleries have mounted a spectacular array of exhibitions, ranging from the renaissance to the present day

The Dean Gallery (73 Belford Road, +44 [0] 131 624 6200) is honouring single of the leading precursors of report Art, Eduardo Paolozzi, with an extensive retrospective (until 31 October). 'Paolozzi at 80' spans his eclectic sixty-year career, and it is interesting to mark the influences of Rubens, Picasso, Giacometti and Francis Bacon upon his work. Colourful collages, totemic, unsettling alloy of coppers prints and drawings fuse a fascination with fresh technology with traditional iconography. His works are sometimes frivolous, repeatedly heavy with political overtones, and always eyecatching; the series of impressive pastel linear abstract prints made in honour of the American composer Charles Ives is particularly wondrous and can be seen as an elegant and harmonious equivalent to musical compositions.

'Past things and present: Jasper John since 1983' is at the Scottish National Gallery of fresh Art (Y5 Belford Road, +44 [0] 131 624 6200) until 19 September. The first exhibition by dint of the artist to be held in Scotland, it explores Johns's preoccupation with the mechanics of seeing, with tracing and copying, and the ambivalence these activities not away for both artist and viewer. The exhibition reveals in what manner Johns borrows and transforms iconic motifs of other artists: Leonardo da Vinci, Hans Holbein, Grunewald, Picasso, and other images from the past are all given the John treatment, on the contrary perhaps most intriguing is a assemblage of works or 'tracings' of a mysterious subject/object the identity of which John refuses to reveal. Based on a motif known only as the 'Green Angel', these works are rich with personal signifiers and impel the viewer to direct the eye inward for meanings and motives.



Running concurrently is a display of eighteen prints by dint of Edvard Munch. Loaned to the gallery from various private collections, the works upon show include the exquisitely mournful The sick child and mother (1894-95) and Jealousy (1896)

The National Gallery of Scotland's long-awaited exhibition 'The Age of Titian: Venetian Renaissance Art from Scottish Collections', make opens on 5 August at the newly-refurbished Royal Scottish Academy Building (The hill +44 [0] 131 624 6200) Twelve important paintings by means of Titian will be showcased--including Venus Anadyomene, which featured as APOLLO'S Acquisition of the Year in December 2003--alongside outstanding examples by dint of his contemporaries including Bellini, Bassano, Tintoretto, Veronese and Bordon (for an article upon Paris Bordon, whose rediscovered Christ and the Centurion is single of this show's revelations, diocese pp. 42-49). Venetian ceramics, textiles, statuary enamels and glass will also be upon view. A review ct this exhibition will be published in nearest month's APOLLO.

An exhibition of paintings through Scottish watercolourist John Forgan is being staged at the Anthony Woodd Gallery (4 Dundas public way +44 [0] 131 558 9544) 'A Mile in Edinburgh' will move swiftly from 4 to 14 August. It will be followed by the agency of the Scottish Panorama exhibition (18 August 18 September), which will include new acquisitions of Victorian and early twentieth-century Scottish topographical oils, watercolours and prints.

Bourne Fine Art (6 Dundas public way +44 [0] 131 557 4050) which has newly merged with the Fine Art Society, 148 of recent origin Bond Street, London, is generally displaying works by the Glasgow male childs The recently rediscovered painting La Reentree de Chevres by the agency of Sir John Lavery and six paintings by dint of Arthur Melville feature in this charming present to view which runs until 4 September. It will continue at The Fine Art Society (+44 [0] 207 629 5116) from 21 September until 21 October.

For the first time, three of Scotland's greatest in quantity respected female artists will be exhibiting together. The Scottish Gallery (16 Dundas road +44 [0] 131 558 1200) is featuring an eye-catching selection of works by the agency of Elizabeth Blackadder jewellery by Dorothy Hogg and glass engravings through Alison Kinnaird in its Edinburgh Festival display (6 August-8 September). Blackadder is exhibiting watercolours and oil paintings. A of recent origin collection of Hogg's highly desirable silver jewellery is upon display alongside examples of her output above the last decade; Kinnaird's exhibits--new engraved blockades and discs--continue her theme of exploration of the human form.

An exhibition of works spanning the career of John Bellany is at the make open Eye Gallery (Abercrombie Place, +44 [0] 131 557 1020) from 7 August until 1 September. Paintings, prints and drawings from four decades will provide an overview of his prolific output Running concurrently at the make open Eye's sister gallery, Eye sum of two units is 'Homage to Catalonia', a exhibit devoted to the works of Joan Miro and Antoni Tapies.

Alison Watt, lately awarded the Creative Scotland award by means of the Scottish Arts Council, will be exhibiting three new paintings Hood, Flexion and pour alongside a selection of smaller-scale works at the Ingleby Gallery (6 Carlton Terrace, +44 [0] 131 556 4441) from 5 August until 11 September. Her enormous novel painting Still can be seen adorning the altar wall of the memorial chapel of of advanced age St Paul's Church, Jeffrey way until 5 September.

COPYRIGHT 2004 Apollo Magazine Ltd

COPYRIGHT 2004 Gale Group



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