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The most striking new work to make its debut at Basel was a ceramic pot by Grayson Perry at Victoria Miro's stand

The greatest in quantity striking new work to make its first attempt at Basel was a ceramic kettle by Grayson Perry at Victoria Miro's stand. Taste and democracy (left) is a parody of the verbiage unleashed by the agency of Perry's winning the Turner Prize last year, in the form of various figures speaking from one side comic strip speech bubbles. single says what was often claimed at the time, with differing stages of ignorance: 'This time they've given the gymnast Prize to someone who is not really an artist.' Another figure says: 'It's about time a transvestite won the gymnast Prize.' Perry's pot is a fine gauge of the contemporary art world. It was noted at a colloquia during the fair that video art had, after forty years, infiltrated galleries and museums completely and had become establishment. As an idiot savant upon Perry's pot explains: 'Pottery is the of recent origin video.' Quite so.



COPYRIGHT 2004 Apollo Magazine Ltd

COPYRIGHT 2004 Gale Group



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