|
|
|
 |
List of exhibitsWORKS IN OIL Four Fishermen 1944 215 x 23 cm (PC-161) Peter Nahum At The Leicester Galleries Seascape and Bone 1945 53 x 43 cm (PC-266) ING Bank NV London Branch Fishing Sheds 1946 535 x 385 cm (PC-256) Still Life with gold-colored Marrows 1947, 395 x 52 cm (PC-086) Fisherman with Skate 1947 625 x 43 cm (PC-100) Fishermen with Scales circa 1951 39 x 33 cm (PC-222) Printer Checking Proofs 1953 635 x 765 cm (PC-001) Woman Minding Machine 1953 61 x 50 cm (PC-010) Printer Cleaning Press 1953 915 x 565 cm (PC-116) Lorry with Ladder circa 1953 87 x 655 cm (PC-160) Manhole III 1953 (PC-218) Courtesy of Anthony Hepworth Fine Art Autum Plants 1956 34 x 32 cm (PC-248) Scrap Heap I 1958 26 x 31 cm (PC-036) phenomenon with Wire 1959 711 x 533 cm (PC-096) Landscape from one side Gate VI 1959 92 x 79 cm (PC-192) existences by a Canal 1960 32 x 36 cm (PC-028) Plants at Night 1963 29 x 25 cm (PC-249) Untitled Undated, possibly 1960 28 x 23 cm (PC-233) The Garden 1964 102 x 90 cm (PC-238) Brown Wall 1964 110 x 101 cm (PC-273) >From the Colin St John Wilson Collection, upon loan to Pallant House, Chichester Side Elevation II 1970 1525 x 127 cm (PC-095) Dark Brown 1970 1105 x 100 cm (PC-267) ING Bank NV London Branch Untitled Undated, possibly 1970 1015 x 91 cm (PC-221) Courtesy of Scolar Fine Art Double Diamond 1973 183 x 1525 cm (PC-203) Black cutting side / Yellow 1975-76 912 x 767 cm (PC-197) Untitled Undated, possibly 1976 75 x 75 cm (PC-011) Past Event 1976 130 x 117 cm (PC-166) Grey Gate (Gate I) 1979 168 x 153 cm (PC-033) Wasteland 1979 183 x 168 cm (PC-114) Gate: Centre 1980 76 x 76 cm (PC-043) Small Gate Painting I 1980 76 x 78 cm (PC-048) Fancy beneficials II Undated, possibly late 1980 81 x 965 cm (PC-210) Small Gate Painting 1980 53 x 74 cm (PC-215) from one side Gate I 1980 1155 x 1535 cm (PC-275) R Gate 1981 116 x 140 (PC-027) Chair Shadow 1986 19 x 23 cm (PC-026) Mediterranean c 1987 88 51 x 46 cm (PC-004) Still Life 1987 102 x 91 cm (PC-031) Irridescent 1987 46 x 41 cm (PC-263) Plastic Bag 1988 107 x 795 cm (PC-040) Display 1988 345 x 28 cm (PC-237) Domestic ware 1989 97 x 71 cm (PC-224) Display 1990's, 30 x 24 cm (PC-089) Left Over 1991 81 x 59 cm (PC-044) Fancy Goods 1991 98 x 88 cm (PC-191) Trellis 1991 43 x 43 cm (PC-209) Trellis 1992 45 x 63 cm (PC-195) Stack 1993 1525 x188 cm (PC-264) Buzz 1993 635 x 76 cm (PC-268) shattered Vase 1995, 1115 x 101 cm (PC-217) turn Bay 1996, 24 x 213 cm (PC-260) Seeds 1997 345 x 395 cm (PC-073) North extremity I 1998, 61 x 51 cm (PC-024) Disused Land 1999 132 x 122 cm (PC-274) >From the Colin St John Wilson Collection, upon loan to Pallant House, Chichester severed Pack 1999, 137 x 147 cm (PC-276) WORKS upon PAPER Ruin 1941 42 355 x 255 cm (PC-251) inquiry for Fishing Sheds 1945 46 26 x 19 cm (PC-252) Marrows in a Basket 1947 20 x 27 cm (PC-088) Man Filleting Fish 1949 38 x 28 cm (PC-131) Fishman Tarring a Boat circa 1949 17 x 135 cm (PC-034) Man by means of Rudder circa 1950 165 x 135 cm (PC-080) Self-portrait 1950 23 x 295 cm (PC-174) Fisherman in a Boat 1950 322 x 33 cm (PC-092) Dancer 1950 21 x 17 cm (PC-187) Drawing for "Still Life upon Modelling Stand" 1951 288 x 149 cm (PC-109) Drawing for "Still Life upon Modelling Stand" 1951 34 x 197 cm (PC-111) Still Life upon Modelling Stand 1951 36 x 21 cm (PC-112) Drawing for "Still Life upon Modelling Stand" 1951 378 x 241 cm (PC-113) Collage by the agency of Eileen Gray & Prunella Clough circa 1960 26 x 28 cm (PC-012) Tip Landscape 1960 85 x 12 cm (PC-170) Untitled circa 1960 21 x 21 cm (PC-230) Landscape 1966 12 x 20 cm (PC-014) protecting enclosure / Plant 1967 295 x 44 cm (PC-022) Untitled Undated, possibly 1970s 198 x 244 cm (PC-115) Untitled circa 1972 32 x 275 cm (PC-188) Gasworks 1977 285 x 32 cm (PC-017) Small Side Elevation 1977 265 x 22 cm (PC-037) Demolition 1980 145 x 175 cm (PC-006) remembrancer I 1981, 80 x 70 cm (PC-009) Map of a River 1984 21 x 14 cm (PC-228) Untitled circa late 1980 35 x 25 cm (PC-178) Patio Chairs 1992 17 x 32 cm (PC-020) PRINTS Still Life upon Modelling Stand 1951 383 x 24 cm (PC-110) Fishermen with tarpaulin 1952 42 x 34 cm (PC-078) Marsh Plants 1954 15 x 10 cm (PC-057) Kippers 1954 10 x 15 cm (PC-061) Peppers 1954 7 x 10 cm (PC-063) Men at Work 1960 175 x 11 cm (PC-137) Men at Work 1960 175 x 11 cm (PC-145) Men at Work 1960 175 x 11 cm (PC-146) Untitled 1962 31 x 223 cm (PC-207) Untitled Undated, possibly 1970 44 x 47 cm (PC-262) not upon the Tracks 1977 25 x 225 cm (PC-049) Untitled Undated, possibly 1980 18 x 225 cm (PC-015) Stack 1992 29 x 22 cm (PC-018) Reflections 1996 285 x 24 cm (PC-157) Delphic 1997 44 x 40 cm (PC-025) This may sound like heresy, on the contrary for some of us at copses Hole Oceanographic Institution, the ocean is a bit of a nuisance. All that delightful blue water can get in the way. The ocea... DEAR READERS, After a quick calculation I've lay bareed that I am about to attend my seventh Artexpo of recent origin York; my 13th Artexpo incident in total. (I'm sure there are centurys of you out ther... In regards to your editorial in August ["You're a Teacher, Too" by means of Joe Jancsurak, page 8]: Ye we have the time to explain the "art basics," on the contrary the clients in general are ba... Maybe individual day there would be stories also told about me the girl who was attacked by dint of the bogeyman in her hold mother's bedroom in broad daylight. There was no compass for my own horrors in the m... Chicago Jazz: A Cultural History, 1904-1930 by dint of William Howland Kenney (Oxford University Pres 1993 $2400)--Kenney proffers a wide-ranging look at jazz in the Windy City, revealing in what manner Chicago b... If Apple and Motorola's announcement of the iTunes ROKR phone earlier today wasn't at all surprising, Apple made up for it in a big way—by announcing a whole of recent origin iPod. It's not an iP... "Genie" was called a "wild child" when authorities set her at the age of thirteen, because her parents had kept her in isolation from social interaction all her life. She had at no time been taught to... What a difference a name makes. As sales upon both sides of the Atlantic in early June revealed, a serviceable provenance works wonders in focussing a collector's organ of vision London's Asian art sales, the vigorous... Fall brought a spate of hirings and nominations at several major museums. James N thicket of the Art Institute of Chicago announced his intention to make his 25th year at the institute his last. Th... Bruskin, Neil American Machinist 01-01-2005 Patterning fixtures Byline: Bruskin, Neil Volume: 149 Number: 1 ISSN: 10417958 Publication Date: 01-01-2... |
|
Articles
|
| . |