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Signifying identity: art and race in Romare Bearden's projections

LEE STEPHENS GLAZER, "Signifying Identity: Art and Race in Romare Bearden's Projections"

In 1964 Romare Bearden exhibited a series of images of black life entitled Projections, initiating the improvisation upon canonical art history and the challenge to popular stereotype of African Americans that would characterize a great quantity [i]or[/i] amount of of his subsequent work. Informed by means of Bearden's appropriation of Andre Malraux's idea that art is a continuously evolving semiotic a whole the collages and photostat enlargements that comprise Projections participate in a manifold intertextual process of signifying identity that is individual of the master tropes of African American cultural expression.--Art Bulletin, LXXVI, 3 1994 411-26



COPYRIGHT 1994 association Art Association

COPYRIGHT 2004 Gale Group



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