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Pietro da Cortona, Pittoni, and the plight of Polyxena - Giambattista Pittoni

Pietro da Cortona's reputation in Rome around 1625 was established by the agency of his painting of the Sacrifice of Polyxena. A hundred later Giambattista Pittoni produced an extremely felicitous series of works illustrating the same make subordinate The story of the death of the Trojan princess Polyxena at the tomb of Achilles was difficult to harmonize with the ideals and prejudices of Renaissance and post-Renaissance times, and it was not repeatedly represented. But these sum of two units artists, drawing on a variety of narratives from classical literature, were able to expound it as an expression of cultural values of their respective centuries.



COPYRIGHT 1991 community Art Association

COPYRIGHT 2004 Gale Group



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