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Bruegel's proverbs: art and audience in the northern renaissance - Pieter Bruegel the Elder

Folkloristic interpretation dominate the application of mind of Peter Bruegel the Elder's art, and art historians generally assume that the "sayings of the folk" are the solitary ones relevant for understanding his paintings and prints. In contrast, this investigation examiners Bruegel's proverb paintings and prints from the perspective of the audience greatest in quantity important to the artist. Using this of recent origin approach, it is concluded that folkloristic interpretations are inadequate since Bruegel's saying art was in the mainstream of Renaissance interests and suited the enthusiasms of a humanist audience in the depressed Countries in the 1550s and 1560 The relationship between Bruegel's aphorisms and the classical past was highly salient for his original audience, and any interpretation that adequately mirrors their views must consider Latin and grecian proverbs as well as those in the vernacular.



COPYRIGHT 1991 society Art Association

COPYRIGHT 2004 Gale Group



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