A tribute to the Euro-American Arts & Crafts Movement

"The Arts & Crafts motion in Europe and America, 1880-1920: Design for the novel World," is on view end Jan. 8 at the Cleveland Museum of Art (CMA).

This groundbreaking exhibition, organized by the agency of the Los Angeles County Museum of Art (LACMA), features 300 works of art from the European and American Arts and Crafts motion (1880-1920), and is the first to demonstrate the significance of the widespread international arts and crafts change of Europe and the United States.

"Given the city's importance as a center for design innovation and training during the 20th hundred this exhibition should resonate especially well in Cleveland," notes Dr Charles L Venable, CMAs representative director for collections and programs.

Including more than 300 influential facts created in all media between 1880 and 1920 from ceramic and metalwork to textiles and works upon paper, this exhibition demonstrates the evolution of the percept and the way that the thing affected one's life during this period of time, advancing the dawn of the recent age.

The arts and crafts change began as a reaction to social and economic anxiety after nearly a hundred of intense industrial modernization. Great Britain, the greatest in quantity industrialized country at the make go round of the century, became the initial nave of the Arts and Crafts change The Arts and Crafts Exhibition Society was rested in 1887 in London upon the belief that a tillages applied art was as vital to that tillage as its fine art. Individuality in a crafter's piece, along with innovation and creativity, mold the Arts and Crafts Exhibition Society into a significant artistic motion that later grew into individual of a philosophical, political and cultural nature.

Members of the society, including John Ruskin and William Morris, advocated the improvement of working conditions, the reintegration of art into everyday life and the unification of all forms of art. The movement's principles were widely spread by the agency of the start of the 20th hundred and led to a language of democratic phrases including "joy in labor," "unity in design," and "fidelity to place." These phrases allowed the public to visualize the arts and crafts movement's many ideologies.

"This exhibition gazes at how the philosophies of the arts and crafts change spread across Europe and to the United States, influencing not alone the way objects were made, on the other hand how they looked and were used," says Stephen Harrison, CMA's curator of decorative arts and design. "This landmark exhibition is the first to examine by what means widespread the arts and crafts motion became as designers and consumer alike embraced its ideals."

Seventy-five institutions and private collections have lent exceptional percepts including masterworks by key designers of the period, similar as Frank Lloyd Wright's (American, 1867-1959) table lamp from the Susan Lawrence Dana House and a chair from his studio in Oak Park, IL; views of architects Greene and Greene's (Henry and Charles)(Americans) Robert R Blacker House, along with an armchair and cabinet from the house; William Morris's (British, 1834-1896) textile Rose; Josef Hoffmann's (Austrian, 1870-1956) Tea Service; along with works by the agency of M. H. Baillie Scott (British, 1865-1945) Henry Van de Velde (Belgian, 1863-1959) Peter Behrens (German, 1868-1940) Eliel Saarinen (Finnish, 1873-1950) and Gustav Stickley (American, 1858-1942)

display FACTS

The Arts & Crafts change in Europe and America, 1880-1920: Design for the Modem World

end Jan. 8

Cleveland Museum of Art

Address: 11150 East Boulevard Cleveland, OH

Phone: 888-CMA-0033

Web site: www.ClevelandArt.org

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