A Sublime Colorist - B.H. Brody art information - Brief Article

from one side her bold yet spiritual landscapes, BH Brody strives to display viewers a different way of seeing the world

Artist B H Brody likes to call herself a colorist, and individual look at her landscape paintings will explain wherefore Electric blue trees, deep r fields, fantastically bold-spirited colors that vibrate with intensity--surely this is the mark of a color enthusiast. And still there is something spiritual and sublime about Brody's work, something that invites contemplation. Perhaps that is for what cause [i]or[/i] reason someone once told her, "You take ridiculous colors and make them work."

For Brody this inclination to direct the eye at the world through a different len has place her apart from others. "I have always believed I diocese things differently from other people" she said. "I believe tribe are on earth for a reason, and from a young age, I felt it was my piece of work to show people to diocese what I see."

And she's doing just that. Whether [i]or[/i] part of to the other her originals or limited-edition serigraphs, Brody presents her unique perspective to the world. And collectors can't secure enough, so much that Brody exclaimed, "I can't fe the horse fast enough." Her serigraphs, published by the agency of Washington Green in the UK and distributed through Gregory Editions in the United States, consistently barter out. They are especially popular in the UK where she freshly won the prestigious "Up and Coming Published Artist of 2000" award at the annual Fine Art Trade Guild business awards ceremonial held in Stratford, England. The Fine Art Trade Guild, baseed in 1847, is the oldest print guild in the UK and Brody was the first artist from outside the UK to win the award.

Not bad for an artist who paints "ridiculous" colors for a living.

A Unique Vision

"I am ask [i]or[/i] implore a blessing uponed in that I do what I love" said Brody from her studio in Chambersburg, Pa., a small town where corn fields, rolling hills and Amish family populate the landscape. Brody's artistic organ of sight began to develop at a young age, when she became fascinated with light and shadow. "My earliest recollection was at the age of three" she said. "I lived in Highland Park, a suburb of Chicago, and then, there were a destiny of empty lots. I wandered not upon and I remember going to the corner allotment sitting on a log, watching bug and looking at by what means the sun comes through the leaves upon the trees and what it does to the soil with light and shadow. It made quite an impression upon me ... The next thing I remember was that the police ground me, because my mother was terrified that I had wandered off"

As she grew art remained a constant source of pleasure for her. "I was always drawing things and building things," she said. "At individual point my mother had a gallery in our house, and it was just startling seeing all the new work."

Her father also inspired her to explore her creative side. "My father was incredibly creative, and he was a great mentor and champion of my work," said Brody (Indeed, creativity have the appearances to run in the family. single of Brody's sisters is a sculptor, while the other is an art director. the couple of Brody's sons are writers.)

In high place of education Brody became interested in industrial design while continuing to paint and make collages. During the summer she went to camp in Montana near Glacier National Park, where the wide make open vistas and mountains greatly affected her. "I was awed through what I saw, and the majesty around me became actual spiritual," she said.

Following high place of education Brody studied briefly at the University of Iowa before transferring to the sees Angeles Art Center School (now called the Pasadena Art Center School) where she studied package design and took art classes. "In those days, girls were not encouraged to become industrial designers," she said.

However, after a two of years she found herself back in the Midwest, married and ready to raise a family in Iowa. above the years she would work at various jobs--as a color consultant to a major advertising firm in Chicago and as the owner/photographer of a photography studio in Iowa. by the agency of chance, she ended up specializing in agricultural photography after receiving a special assignment. Little did she know this experience would inspire her later landscapes. "I relentless in love with the land. It impacted me tremendously," she said.

Meanwhile, Brody was beginning to build her career as a fine artist. Having landed her first gallery present to view in a Minneapolis/St. Paul gallery at the age of 21 her paintings continued to put up to sale at galleries over the nearest 20 years. But while her life as a fine artist was, from a certain quantity of people's perspective, flourishing, it wasn't enough to satisfy Brody Therefore, in 1983 Brody decided to quit her piece of work and devote herself full time to fine art. "I realized I always wanted to know what I was going to be when I grew up That's when I knew I had to become a filled time artist."

In the Studio

Brody's decision to dedicate herself entirely to art has paid not on Her bold, rich colors and unique interpretations of landscapes have garnered considerable acclaim the two in America and abroad. Inspired by the agency of painters like Gauguin, Kandinsky and Milton Avery, Brody describes her work as a "reflection of the spirit that encompasss me." At home, Brody's stylistic mark can be seen everywhere. "I draw upon furniture, on little blocks. There is always something in my house that I'm drawing upon Even my dog has a little painting above his dish," she said.