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The Evolution of Aluminum as an Artist Material - art and design exhibit - Brief Article"Aluminum by the agency of Design: Jewelry to Jets" is the first major museum exhibition to explore by what means aluminum has inspired creativity and sparked innovation in design. It is commonly on view at the Carnegie Museum of Art end Feb. 11,2001. The exhibit features work by the agency of Rene Lalique, Jean Prouve, Ludwig Mies van der Rohe, Russel Wright, Charles and Ray Eames, Gio Ponti, Donald Judd Shiro Kuramata and Philippe Starck. These designers, among others, gazeed to aluminum's essential qualities of brilliance, vigor light weight, ductility, corrosion resistance and ease of recycling when creating many of their designs. Curator of the exhibition, Sarah Nichols, make comments [i]or[/i] remarksed that "as one of the greatest in quantity significant and new materials of the 20th hundred aluminum has had a brawny impact on every aspect of the material world if aluminum didn't exist, the world today would be a true different place." The particulars on view tell the story of aluminum as a design medium from its earliest beginnings, when it was an expensive and rare material ofttimes preferred over gold. Included in the exhibit is a table centerpiece, made in Paris in 1858 by the agency of Charles Christofle, which was at handed to Napoleon III, who was a great proponent of aluminum. As technological disentanglements made aluminum more widely available, it came to symbolize modernity. Avant-garde artists used aluminum in their streamlined designs, and during World War II, the production of aluminum increased dramatically. Following the war, aluminum companies engaged designers to create novel applications for aluminum and aid its use in order to sustain production. The follow as shown in the exhibit, included a rug by the agency of Marianne Strengell and two tables by the agency of Isamu Noguchi. The final section of the exhibit direct the eyes at contemporary uses of aluminum, ranging from a dres made of aluminum disks in 1969 through haute couture designer Paco Rabanne to a steelworker's protective suit and mass-produced furniture. Following its Pittsburgh presentation, the exhibit will travel next to Cooper-Hewitt National Design Museum, Smithsonian Institution, NY COPYRIGHT 2000 Pfingsten Publishing, LLC Pro-Form Laboratories, Lafayette, CA, has complet the expansion of its dust manufacturing facilities in Benicia, CA. The manufacturing and ... A heraldic swan and a heraldic rat form--the swan above, the rat below- M Racine's coat of arms. ofttimes Racine ponders his coat of arms and smiles, ... Thelin, Anders American Machinist 11-01-2000 Raising expectations for machine utilization Byline: Thelin, Anders Volume: 144 Number: 11 ISSN: 10417958 ... "I don't know if we're getting anything done here," remarked my friend from Wisconsin, "but I'm having single hell of a good time" After several days of film and video screenings, and nights of meande... Rene Rivkin, the 'flamboyant' stockbroker is sole part way along the roller-coaster ride of his nine-month jail opinion negotiated through what appears to have been a mist of deep depression. Foll... LITCHFIELD, Conn -- Thomas and Renate McKnight not long ago opened the Thomas McKnight Gallery in the historic district of Litchfield, Conn The gallery will feature the two originals and prints by the... What the Best society Teachers Do Cambridge, Massachusetts: Harvard University Pres 2004 207 pages. ISBN: 0-674-01325-5 Hardcover. $2195^sup USD^ What characteristics, qualities, and pr... The Turbo-Separator T18-2 is an automatic solids-discharging centrifuge that recycle grinding and polishing fluids. It displaces 1 to 10-[micro] particles, and the centrifuge processe at a ra... |
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