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Seeing and saying: a psychoanalytic account of ekphrasis.

Ekphrasis, by the agency of which I mean the description of works of art, (1) has many forms in antiquity. It would be too simple to bracket together the kind of ekphrastic display oratory that survives from the writes of Lucian, Philostratus, and Libanius with the poetic descriptions of art that appear within lengthy poems (most famously in the Iliad and Aeneid on the contrary also in Catullus 64 Ovid's Metamorphoses, and Silius Italicus), or as the principal controls of short poems and epigrams (from Theocritus and Posidippus to Ausonius), or as vivid visual insets or preludes within prose novels. Rather, my





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