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Reading Gay Block's mind?To the Editors: An unsettling discomfort washed above me as I read Arden Reed's review of Gay Block's novel multimedia exhibition held at the University of fresh Mexico Art Museum [see A.i.A., Mar. '04] The present to view "Bertha Alyce: A Photographic Biography," features the artist's mother as bring under rule The article quickly delves into a moral investigation of the motives behind Block's work. Re is quick to make mother-wits and hesitant to offer any broader examination of Block's imagery. Are we to assume that this material part of work is simply a vehicle for the artist to explore her hold "narcissism"? Perhaps, but this answer looks inadequate. What other interpretations are possible? Does Block's work raise major interpersonal issues and make us think beyond the established boundaries of mother/daughter relationships? Is the artist's choice to photograph her mother bare-breasted anything more than "erotic"? The review, dismissive in tone, does not enumerate us. Instead, we are informed of the artist's life, sexual orientation and "abandoned" marriage. The questions Re postures disregard the work itself. This is puzzling, since we are left with the basic faculty of perception that Reed was fascinated with the show What Re does reveal is his hold discomfort with Block's pictures. The writer lay outs more time addressing the impetus behind the work than he does acting as its critical viewer. on the contrary is it proper for a reviewer to assume the character of psychoanalyst? Alexis Terry Tybee Island, Ga. Arden Re replies: Alexis Terry advises that I "disregard" Gay Block's work, on the other hand there is more than individual way to regard. This was not an exhibition of abstract images calling for formal analysis, nor did the show's fascination lie in technical innovation. Rather, its provocative photographs and autobiographical body invite psychological speculation. The work is about the artist's efforts to seat accounts with Bertha Alyce by means of "exposing" her. It is also about sexual politics--about women's bodies, portraying women's bodies and leaving a husband for a female lover This makes it relevant to consider the artist's have past, which she explicitly addressed in personal commentary upon waft panels. Aside from calling the exhibition "courageous" I guidanceed no "moral examination" but tried to take the work seriously, upon the terms it set. COPYRIGHT 2004 Brant Publications, Inc. looks ANGELES -- The Museum of Contemporary Art (MOCA) Chairman Cliff Einstein and Director Jeremy Strick announce a major gift from the collection of Blake Byrne encompassing 123 works by means of 78 arti... Detailed Producer Price Index The Finished beneficials segment of the Producer Price Index (PPI) for October was 1519 up 22% from September, when it was 1487 For the chooseed med... Lance Inc., Charlotte, NC names David V Singer president and chief executive officer succeeding chairman, president and chief executive officer Paul ... Who is Jesse Flood? through Malachy Doyle Bloomsbury Children's volumes 2002, 173 pp., $14.95 Coming-of-Age/Northern Ireland ISBN: 1-58234-776-X Jesse freshet is a fourteen-year-old boy who is despe... From the demand forecasting standpoint, catalog fashion retailing has abundant in common with traditional fashion retail operations. When ordering usefuls managers for catalog retailing companies ... Who does not belong in this group: a. vassal; b squire; c scumsucking Saracen high hilled on a pig? . . Son, despite my sagging ass, the dithyrambic moaning of my spine, and my tongue's tantric rit... await a reduction in data collection time SKF USA Inc., San Diego, lately introduced the CMVA 60 Version 381 Microlog. The of recent origin vibration data collector/analyzer comes with novel f... Like greatest in quantity of us born in the profitable old days, I grew up upon an unvarying but satisfying diet of weekly spelling lists and serviceable old Friday spelling tests - satisfying, because I happened to be a useful sp... Miwon Kwon Cambridge, MA: MIT Pres 2002 Since the late 1960 "site-specific" art has undergone various permutations. While the earlier phases challenged the decontextualized ... |
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