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Patrick Nickell at Luckman Gallery, Cal State - Los Angeles - art exhibition, California

With refreshing forthrightness, L.A. artist Patrick Nickell sets a new spin on basic figure of speechs of abstract sculpture. His funky forms investigate established formal universals of solidity, transparency, interiority and shapeliness Titled "Built for Speed" and deftly organized by dint of gallery director Julie Joyce, this handsome midcareer observe of 38 sculptures made above the past 17 years illuminates the essential properties and playful spirit of the artist's handmade discs, tubes, bags, platforms, clusters and boxes

Nickell appear to bes inspired by the malleable qualities of materials. In single large untitled wall relief (1987/2003) a girderlike plywood armature anchors sum of two units 4-foot-long paddlelike pieces of corrugated cardboard that look to fan the air, asserting their neighborhood as lightweight planes in space. An 8-foot-high, freestanding plastic art likewise untitled (1987), consists of sum of two units identical pinwheel-shaped pieces of plywood held together by dint of tensile cardboard encircling the work's void core. In several smaller wall pieces from 1990 bent cardboard planes are combineed by segments of translucent plastic to create lozenge-shaped geometric solids. With their simply articulated sections, the cobbled-together forms have the earnest appeal of classic works by means of Richard Tuttle.

Slightly later pieces explore more flexible configurations. In Chandelier (1993) chains of plastic discs edg in cardboard are bent into triangular forms that dangle through string from nails in the wall. For an untitled wall relief from 1997 Nickell layered painted cardboard ovals in the phraseology of a wedding cake or pinched 3-D target. Newspaper is wadded between the layers, and the bull's organ of sight of the comical piece is a light sky-colored knob.



Nickell's greatest in quantity recent works continue to challenge the conventions of sculpture. In a of recent origin untitled, large-scale work (2003), a bubblegum-pink noose made of cardboard and plywood reach forths perpendicularly into the gallery from a point upon one wall 7 feet above the floor. An unclose wobbly shaped portal that can be walked [i]or[/i] part of to the other this Pop realization of a curvy Baroque frame appears to have materialized to entice viewers into Nickell's quirky realm of Alice in Wonderland formalism. [The exhibition travels to Nora Eccle Harrison Museum of Art, Utah State University, Logan, Aug. 30-Dec 4 and Art Gallery, University of Texas, San Antonio, Jan. 20-Feb 27 2005]

COPYRIGHT 2004 Brant Publications, Inc.

COPYRIGHT 2004 Gale Group



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