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Rand's blues - Letters - Letter to the EditorTo the Editors: I am writing to correct a mistake that Raphael Rubinstein made in "Whose 1980s?" [A.i.A., Dec '03] I did not "borrow the title" of Jay McInerney's 1984 novel for a present to view I organized that year at the Phyllis Kind Gallery. "Bright Lights, Big City" is the title of a canticle by Jimmy Reed (1925-1976). Re who recorded for Vee-Jay, was single of the few black sky-coloreds musicians whose records appeared upon the pop charts, making him popular with a white audience. His best-known dittys include "Honest, I Do," "You Don't Have to Go" and "Big Bos Man." I chose the title in question because I included an example from Archie Rand's series "The alphabetic character Paintings" (1967-71) in this collection show consisting largely of harsh urban views. As a critic who has championed Archie Rand [see "8 Painters: of recent origin Work," A.i.A., Nov. '03] and has upon a number of occasions called attention to his alphabetic character paintings, Mr. Rubinstein knows that in these works Rand used a variety of tools to write without the names of black musicians, singers and composer as well as the titles of canzonets ranging from doo-wop tunes to jazz compositions. "Bright Lights, Big City" was the first of recent origin York exhibition to contain single of Rand's Letter paintings. A year earlier, Jack Lane had shown a small selection from the series at the Carnegie Institute. I reviewed that exhibition for Artforum, the first time these works were discussed in a magazine. John Yau of recent origin York Raphael Rubinstein replies: I thank John Yau for alerting me to the correct source of this show's title and for clarifying more [i]or[/i] less details about an important material substance of work, I'm actually relieved to hear that Yau's "Bright Lights, Big City" came from the Jimmy Re ballad rather than from McInerney's flimsy novel. I wish I'd seen the exhibit It wasn't until 1988, also at Phyllis Kind, that I first meetinged some of Rand's paintings, his series "Self Portraits After Rilke's 'Sonnets to Orpheus.'" COPYRIGHT 2004 Brant Publications, Inc. The SICPA collection Prilly, Switzerland, was expected to acquire the liquid-crystal pigment business of Munich-based Wacker-Chemie GmbH as of July 1 The purchase includes the know-how for appli... When you're starting on the outside in the working world, you may find yourself in a catch-22. Employer want experienced workers, on the contrary to get that experience, you have to be hired first. For a certain quantity of j... Cingular Wireless has begun to exclusively present the Motorola RAZR V3. Delivering cutting-edge design and advanced technology, the Motorola RAZR V3 brings an elegant fresh twist on the clas... A fresh project management benchmark study is without The good news is that a sturdy association can be seen between the quality of an organization's processe and its ability to deliver be deriveds ... In the introduction to her seminal book, The Peaceable Classroom, Mary Rose O'Reilley postures the question a professor asked in a seminar for teaching assistants: "Is it possible to teach English with equal reason that... on what account after many years of near invisibility, have African-American quilts become with equal reason engrossing to art historians, folklorists, ethnologists and quilt historians? African Americans have made quilts... InfoChain tenders Web-based supply chain management including outcome and asset tracking and wireless data capture and ... Anonymous American Machinist 09-01-2000 concussion absorber makeover Byline: Anonymous Volume: 144 Number: 9 ISSN: 10417958 Publication Date: 09-01-2000 ... INTRODUCTION In Spring 2002 I submitted an editorial to the Albany Times Union, "Treat prisoners like human beings,"2 warning that prisoner conditions at Guantanamo allowed interrogations th... A eager Treasure tech demo -- sport boss battles and character designs, on the other hand little else. Copyright ?© 2004 Ziff Davis Media Inc. All Rights Reserv Originally appearing in 1UP... |
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