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"Sorry for having to make you suffer": body, spectator, and the gaze in the performances of Yves Klein, Gina Pane, and Orlan.

In artistic practices like as performance art, body art or action art, the artist's material part is used as artistic material. upon the one hand, this must be seen in the words immediately preceding [i]or[/i] following of the use of novel material in art after 1945: At this time, artists began working with material which was "formerly rated as non-artistic and judg as 'poor' and ephemeral" (1) (Wagner 9) upon the other hand, the use of the material part exceeds beyond these experiments with of recent origin materials and suggests questions which develop from the inseparableness of the material part in and out of an artistic adjoining matter One cannot ...


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