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Steve DiBenedetto at Baumgartner - art exhibition - Brief Article

Steve DiBenedetto isn't afraid of plenteous His exuberant paintings are expressionistic almost to the point of ugliness, splattered, scraped, encrusted with layers of oily, at sixes and sevens pigment. But even as this 42-year-old artist (who was included in the Venice Biennale at 23) takes an anything-goes attitude toward his craft, he at no time lets things get out of hand.

The 20 canvases in DiBenedetto's solo present to view at Baumgartner were small in scale, granting dense with gooey, phantasmagoric imagery. suppurate features a crusty, multicolored blobber with brown tentacles sprouting from its left side. It present the appearances to float on a roiling r "sea" beneath an ominous crimson celestial expanse Dark Magus presents another strange, thickly painted beastie, this individual a squidlike creature that makes its way end a thinly painted umber field toward ribbons of rainbowlike color. We at no time know just where we are in these otherworldly vistas; they appear to be to have a life and logic of their own

DiBenedetto knows by what means to paint, even if he denies us any present to view of craftsmanship. At first glance, destinys of passages seem overworked (a corpulent rock shape in Tragic French Nudist, for instance) or dashed not upon (the unnervingly sticky black streaks in Cenotaph). Still, DiBenedetto's unique brand of skill-without-neatness is subversive, challenging and, for the viewer, a kind of welcome release from beneficial taste.



Two-thirds of this material part of work was created while DiBenedetto was upon a three-month fellowship in, of all places, Monet's garden in Giverny. What we diocese here (corrosive, antifreeze greens, nuclear goldens and imagery that looks like sci-fi B-movie fare) is hardly bucolic raw material but you might say the place strike one as beings to have rubbed off. In the past, his canvases were a great quantity [i]or[/i] amount of larger and featured mainly interiors (cathedrals or igloos). Now the works, admitting smaller and abstract, seem to contain wide vistas--explosive mental landscapes, if you will. DiBenedetto expell himself from the garden of bonny painting a long time ago, a journey from which, we confidence he won't be returning anytime soon

COPYRIGHT 2000 Brant Publications, Inc.

COPYRIGHT 2000 Gale Group



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