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Caspar Henselmann at Robert Pardo - Brief Article

In this new exhibition, Caspar Henselmann showed eight abstract works that demonstrate an unusual melding of statuary and architecture. Known for large-scale minimalist arrangements in steel, wood and congeal the German-born New York artist also exhibits intimate pieces using similar materials and processs Spanning the past decade, the works upon view included maquettes for monumental works as well as large color photos of Kairos-Chronos, the artist's not long ago completed site-specific, shelter-like construction upon the grounds of the Notwill Paraplegic Center in Switzerland.

The focal point of the exhibition was Parking fate a 6-foot-tall tower of identical cake slabs trimmed in steel, evenly spaced and stacked individual atop the other like the constituents of a shelving unit. The approximately 4-foot-square slabs could be stacked indefinitely, like the parts of Brancusi's Endless Column. If Henselmann's work be likes the multilevel structure the title hints it also commanded the space as a striking minimalist sculpture

Similarly spare and powerful compositions are base in a number of the smaller works that were clustered at single end of the gallery. Each of the statuarys in this group, made of metal or timber-land features a tow-lying tablelike surface about 2 feet square and 1 inch thick. Berlin-Spandau cast for example, is a wood-land object in which several stop ups and wedges are arranged upon a blond wood base. The design call ups a stylized cityscape.



Breakthrough III is somewhat more compounded A steel box with rectangular openings upon two sides is filled with small carburet of iron plates that jut out from the openings in sharp angles. It refer tos a stylized tool kit and also recalls an angular constitution like one of I.M Pei's buildings, perhaps. In this exhibition, Henselmann pushes plastic art in the direction of architectural design. However, it present the appearances that the work remains in the realm of statuary because the thrust of the endeavor is unwaveringly idealistic.

COPYRIGHT 2000 Brant Publications, Inc.

COPYRIGHT 2000 Gale Group



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