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Julian LaVerdiere at Andrew Kreps - Brief Article

This present to view which carried the intriguing title "Forbidden Aspirations for Ascendancy," was the theatrical first appearance of installation artist Julian LaVerdiere. In a dimly lit gallery, LaVerdiere used small-scale moulds a DVD projection and a pair of C-prints (all 1999) to create a compelling narrative mainly involving outmoded technologies. First Attempted Manned Space Flight advances in two parts. One simple body is a model of a German V2 rocket displayed in a 52-by-11-inch cylindrical vitrine put on a waist-high pedestal. the one and the other model and vitrine have the crafted, handmade direct the eye of fine woodwork even granting this model, like all the others in the display is made from plastic. upon the wall to the right of the design rocket hung the second uncompounded body an aluminum-mounted C-print showing a crashed V2 in a winter landscape. This realistic image is actually a miniature studio setup lit and compos like a 19th-century landscape painting.

Encased in a casket-sized Plexiglas case was First Attempted Trans-Atlantic Telegraph Cable Crossing, a 9-foot-long type of a sunken clipper ship lying upon a stretch of ocean floor. The protoplast ship is only dimly visible from one side the smoky amber vitrine. Resting, appropriately, upon mortuary trestles, the piece is a kind of reliquary for the doomed 1854 utensil that was designed to lay the first transatlantic telegraph cable.



LaVerdiere's background in film special consequences and set design apparently obeys him well--the atmosphere of the exhibit evoked sci-fi movies such as 20000 Leagues below the Sea and 2001: A Space Odyssey The theme of supersed technologies, from clipper ships to early rocket also brought to mind a certain quantity of of Buckminster Fuller's predictions about the accelerating rate of technological change. Like Fuller LaVerdiere is a dreamer of sorts, as epitomized in Light Bed (Illuminated Cot) locate on a low platform, this glowing bed is based upon a vintage U.S. Army hut yet its luminescent, Frankensteinian coils and shimmering gold fabric are state-of-the-art, space-age materials.

Technology is filled with the promise of a better life, at the same time its path toward the advancement of civilization necessarily includes a whole failures and a growing material part count. LaVerdiere's world may not include a single human being--we diocese no astronauts or drowned sailors--but the invisible hands that have helped fashion our global techno-culture have feeling omnipresent.

COPYRIGHT 2000 Brant Publications, Inc.

COPYRIGHT 2000 Gale Group



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