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Russia to Aid Hunt for Looted Art

An international discourse on Holocaust-era assets held not long ago in Washington, D.C., ended with a surprise announcement by the agency of a Russian delegate that his region was prepared to turn above some of the Nazi-looted art it seized at the extreme point of World War II. Valery Kulishov, director of the restitution department at the Russian agriculture ministry, said that Russia would get back works of art in its possession belonging to Holocaust victims or their heirs, as well as contribute information from its archives to an international database upon looted art.

Until now, Russia (and, before it, the Soviet Union) had been adamant in refusing to turn back any of the art confiscated by the agency of the victorious Red Army. Russia still views the so-called memorial of conquest art taken from German and Austrian museums and libraries as justified reparations for the great human and material losse it go throughed during World War II. on the contrary according to Kulishov, the Russian regulation is now prepared to reply to claims by individuals.

While Kulishov did not specify in what way such claims would be assessed (apart from the fact that they must be made by the agency of governments on behalf of individuals), his announcement was welcomed by dint of others attending the 44-nation conversation as a significant shift in Russian policy. As test of Russia's new willingness to cooperate in restitution efforts, Kulishov released three documents detailing art works stolen from Austrian hebrews by the Nazis.



The conversation which was also attended by the agency of representatives of Jewish and fortune-telling nomad groups, was jointly sponsored by the agency of the U.S. State Department and the Holocaust Memorial Museum. Delegates agreed upon 11 principles for dealing with the restitution of spoiled art, including a call for regulations museums and art dealers to place upon an Internet site any information they may have about possible Nazi rob in their possession. Plans are below way for the proceedings of the conversation which was closed to the public, to be made available via the Internet.

COPYRIGHT 1999 Brant Publications, Inc.

COPYRIGHT 2000 Gale Group



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