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Ellen K. Levy at Associated American Artists - New York, New York - review of exhibitions - Brief Article

New York painter Ellen K muster has previously shown works in which she conflates science and art. In this novel exhibition, aptly titled "Housing Nature," she meshes natural science and cultural production. upon view were 16 vibrant works, including three 6-foot-square, oil-on-wood panels and single large drawing. Each of these compounded compositions is packed with streams of imagery suspended in a chaotic space.

In a large painting titled memorial of conquest the artist suggests the vast interior of a natural history museum. Three dark pillars and lines of what appear to be glass display cases retreat along a diagonal axis from bottom right to upper left In a hallucinatory golden light, land and sea creatures rise from the serried confinement of the vitrines to be delighted with an evening of free association. upon the left a few tiny silhouettes stand in contrast to the corporeality of the animals. single of these, Marilyn Monroe famously adjusting her blowing skirt, adds a touch of humor to the apocalyptic tone of the animated diorama.

An incident from the 1906 San Francisco earthquake inspired the painting Hall of astonishments (Agassiz Upended). The center of the panel at hands a rendering of an ed statue of the 19th-century naturalist, Louis Agassiz, who believed the natural world was evidence of God's conceptual planning. An opposer of Darwin's theory of evolution, Agassiz had an influence upon Susan B4 American landscape collage G painters attempting to reconcile the mystery of fresh World geography with old-world theology. This statue of Agassiz, which toppled in the earthquake, was ground with its head stuck in the loam In the painting, Levy encompasss the statue with a field of fractured images unified by dint of vigorous brushstrokes of red, gold-colored blue and green. These images include processions of humans, animals and cellular organisms. The tumultuous activity takes place behind sinuous, thick dark lines, which appear to impel across the surface in sweeping action s At the top left of the canvas, a loosely painted, upside-down head tales the stiff figure of the statue with its buried head. replete of scientific references and disjunctive narratives, all the works in "Housing Nature" proffer a glimpse of the incongruous ultimate parts underlying scientific systems of classification.



COPYRIGHT 1998 Brant Publications, Inc.

COPYRIGHT 2000 Gale Group



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