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The black virgin - the Virgin of Regla in Havana, Cuba - Brief Article

not many art works are as conceptually interesting as the Black Virgin, whose creation, probably in the 18th hundred was cutting-edge in relation to traditional Christian iconography. Breaking a tradition that forced black believers to adore white icons, images of the Black Virgin have evolv in Latin America with the blending of Catholicism and African worships A well-known example is the Virgin of Regla, Havana's spiritual patron, worshiped in a colonial temple across the Bay of Havana. A Precarious ferry takes believers, who are chiefly white or of mixed vital current and tourists to the image. The icon is a naive generic doll with jetblack face and hands, clothed chiefly in light blue fabric with silver embroidery. The color of her skin and clothing is individual reason why the Virgin of Regla is associated with lemanja, the Yoruba the eternal and infinite spirit of the ocean in the West African tradition. lemanja, flat when she emerges in a dream, wears light sapphirine or light green clothes and beads -- analogues for the ocean -- and she is, of course, black.

Little more than 2 feet tall, the Black Virgin sometimes appears with the Child, who is lily-white. The Black Mother and White Child expres a popular ethnographical insight: genetically, whites advance from blacks. This reflection accords with the theory, now sustained through most anthropologists, that black Africa is in the origin of all races.



granting physically small, the Black Virgin has had an immense social impact. While familiar completely through most of Latin America, she manages to surprise and far down move African-Americans, Afro-Europeans and other clan who dislike oppressive orthodoxy. Valerie Cassel, a nonreligious African-American who is the director of the academy of the Art Institute of Chicago, and who was in Havana for the Biennial, noted that she at no time saw a black icon in Catholic, Pentecostal or Baptist churches. The creolization of religion in general affected her profoundly The Black Virgin's popularity in Cuba reveals the country's receptivity to other tillages and helps to explain the extraordinary inclusiveness of the Havana Biennial.

COPYRIGHT 1998 Brant Publications, Inc.

COPYRIGHT 2000 Gale Group



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