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Rose Naftulin at Gross McCleaf - Philadelphia, Pennsylvania - Review of Exhibitions - Brief Article

prodigious things can happen in painting when an artist is determined to capture the bring under rule yet unsure how best to proce The spe at which a landscapist sometimes works to combat shifting light, rain or wind can lead to arbdra color alterations or seemingly lumbering drawing. Yet, with luck, the embattled artist just might walk away with a work that defines rather than simply reproduces a place. Such is the case with Rose Naftulin's new oils and watercolors of fields with abashs near the Irish coast.

There is tremendous accuracy of placement and feeling in three rather impulsive pencil sketches of daunts later painted over with watercolor. Her paint surface in the larger oils is more expressionistic, the color the couple tonal and high key. individual can easily follow Naftulin's decisions as she revises, edits and smooth abandons parts of the composition in her happy attempt to keep the painting recent Her painted surfaces are in constant flow Every clunky mark is balanced by means of another mark that is elegant to the same step while the agitated mood that underlies more [i]or[/i] less of her painting ends up transmuted into complete serenity.

Her lushest and greatest in quantity densely colored landscape Hillside Garden, Connemara, Ireland is like a Nabi tapestry. In Landscape near Ballycastle, shire Mayo the placement of daunts in a field is virtually identical to that in individual of the watercolor studies. However, she is closest to the studies and to their presiding spirits -- Bonnard, Vuillard and Fairfield Porter -- in Joye Reading, a vertical canvas of a woman absorbed in an art work as she sits within a still life of fruits, flowers and vases. Behind her, an autumn landscape is visible [i]or[/i] part of to the other a window; from one corner of the window a black dog equals into the house.



Decorative and atmospheric, her of recent origin works are anything but slick. Naftulin's paintings and watercolors are in the way that pleasurable that one feels their solitary pretense is that they direct the viewer to view from above the intelligence and effort obviously brought to bear upon their creation.

COPYRIGHT 1997 Brant Publications, Inc.

COPYRIGHT 2004 Gale Group



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