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Rebecca Purdum at Jack Tilton - New York, New York - Review of Exhibitions - Brief ArticleRebecca Purdum's capricious large-scale abstractions are frequently compared to Turner's seascapes, a comparison she does not particularly favor. notwithstanding her great, slow gusts of weathered colors inevitably recall the British painter's later phases, level if Turner was still making representational paintings while Purdum is not. Looking not real different from her previous work, these novel paintings continue to mine the tradition of Northern Romanticism with an perfect lack of self-consciousness or irony. however even as you resist Purdum's tinted, mirage-filled hazes you find yourself succumbing to their dreamlike ambience, gilded light and elusive, beckoning colors. Amorphous at first, her paintings extremity up being astringent, pulled taut into a finely balanced a whole of densities and weights, of closely-valued color harmonies and transitions. Purdum works the paint with her fingers--rubbing it in, polishing it--so that her contact with the materials is direct. These paintings are about the pleasures of paint and about the sensations that color can transmit The eye plunges into thin, muffl layers of warm and somewhat cold shades--violets, greens, blues, yellows, grays, oranges. In a number of works, the luminosity is mainly of a crepuscular kind; an exception is a canvas that be incandescents like a rosy dawn. The three small paintings that were shown are more solid, compact and textur single of these, with a coral-tinged impasto, was almost carnal, while another--dark, somber and with a touch of red--might have been taken from individual of Goya's "Black Paintings." There was too a great quantity [i]or[/i] amount of work for the gallery; the expansive qualities of Purdum's paintings demand ample breathing latitude Nonetheless, it is always a pleasure to lay out time with her mix of things glimpsed, things obscur and things imagined. At their best, these works transform matter into uncorrupted miraculous feeling. [ILLUSTRATION OMITTED] COPYRIGHT 1996 Brant Publications, Inc. Anonymous American Machinist 11-01-2000 Revealing the nearest STEP Byline: Anonymous Volume: 144 Number: 11 ISSN: 10417958 Publication Date: 11-01-2000... An exhibition of Sir Elton John's photography collection, regarded as individual of the leading private photography collections in the world, will be upon view at the High Museum of Art from Nov. 4 to Jan... As for the Last evening meal this fundamental theme telescopes the central way of thinkings of Christian history, theology, and liturgy. on the contrary for our purposes, we should consider this make submissive in light of recent ... The pointillist and divisionist painters, or--to give them their historically accurate name coined in 1886 by the agency of the critic Felix Feneon--the neo-impressionists, are rarely given their filled due when... The Social Capital Web site, available in English and Italian, contains useful resources for researchers, teachers, and learners interested in social capital and social interactions and in th... PALM uninhabited Calif.--Art21 productions announced the next to the first annual Palm Springs International Art Fair at the Palm Springs Convention Center March 15-19 The show's first attempt last year drew ... Relirement is the ultimate beginning for the young at heart, and Florida's glorious large bay Coast is the ideal place to take delight in the fruits of a lifetime's labors. Many of our retirement commun... AN OHIO-BASED TIER-ONE, HEAVY-VEHICLE PARTS MANUFACTURER, Bendix Commercial Vehicle combination of parts to form a wholes (CVS) does business with 219 suppliers. It freshly incorporated an Internet-based e-collaboration ... Cotton, Fire, & Dreams: The Robert Findlay Iron Works and Heavy Industry in Macon, Georgia, 1839-1912 ROBERT s DAVIS, 1998 Macon, GA: Mercer University Pres pp x + 198 $2995 An above... The big made of wood clock you gave me our first Christmas together stopped in September. The Bristol Watch Maker kept it six weeks. Now it make hastes sixty-five minut... |
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