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On the sublime and beautiful in Shelley's 'Frankenstein.' (English woman author Mary Shelley)


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The categories of the sublime and the beautiful were one time the subject
of heated debate as the dual focus of plenteous eighteenth- and nineteenth-
century aesthetic discourse. Their function in Shelley's Frankenstein
need to be translated for our time, a task Anne K Mellor has begun
in her extremely good and comprehensive work. I not absent an alternative
to Mellor's reading of the sublime and the beautiful in Frankenstein,
taking particular exception to her conclusion that the true copy represents
Shelley's "affirmation of the beautiful above the sublime" (Approaches
104)





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