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Memory and the politics of forgetting Paris, the Commune and the 1878 Exposition universelle.

This research focuses on the representation of Paris during the 1878 Exposition universelle (World Fair) and the du 30 juin (Festival of 30 June) in a selection of articles in the popular, conservative, illustrated journal Le world illustre and Charles Marville's specially commissioned photographic exhibits, Le Vieux Paris (Bygone Paris) and Travaux (Public Works). A shut up reading of these texts and images reveals that while Marville's collection of juxtaposed photographs conforms to the officially promot view of the city as a recent healthy and hygienic metropolis and, as





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